Dual Color Light Effect

Dual Color Light Effect
On Velo, Organza, Sahara, Spider, and Organza fabrics, light can be activated in an alternating dual-color configuration, achieved through dedicated wiring that distributes fiber optics of two different colors according to a precise and controlled rhythm.

The textile structures thus become the medium for a luminous dialogue between two tones: lines, threads, or micro-points illuminate in alternating sequences, creating a dynamic visual effect made of chromatic vibrations, depth, and perceptual movement.

The alternation of the two light colors generates iridescent surfaces, where hues intertwine without ever fully blending, producing delicate or more pronounced contrasts depending on the selected combinations. The result is a living luminous texture that changes with the viewing angle and light intensity, enhancing the three-dimensional quality of the fabric.
On vertically developed textiles such as Spider and Sahara, the effect emphasizes the rhythm of the weave, transforming luminous lines into a true visual score.
On more homogeneous surfaces like Velo and Organza, the dual chromatic effect appears as constellations and luminous veils, creating soft, layered fields of light.
Thanks to alternating wiring layouts, each project can be calibrated with extreme precision, defining chromatic patterns, luminous density, and the relationship between colors. Light is no longer merely emission, but composition: a design tool that shapes space, accentuates volumes, and introduces a refined emotional dimension.
The system also allows for static or dynamic activations, with controlled chromatic variations over time, offering wide expressive possibilities in both architectural and artistic contexts.

On vertically developed textiles such as Spider and Sahara, the effect emphasizes the rhythm of the weave, transforming luminous lines into a true visual score.
On more homogeneous surfaces like Velo and Organza, the dual chromatic effect appears as constellations and luminous veils, creating soft, layered fields of light.

Thanks to alternating wiring layouts, each project can be calibrated with extreme precision, defining chromatic patterns, luminous density, and the relationship between colors. Light is no longer merely emission, but composition: a design tool that shapes space, accentuates volumes, and introduces a refined emotional dimension.

The system also allows for static or dynamic activations, with controlled chromatic variations over time, offering wide expressive possibilities in both architectural and artistic contexts.

Degrees Kelvin

Ice 6500 – Champagne 2700 – Gold 2200 – Amber – Lime – Nocturne Rouge – Royal Blue